Doctor Strange: Fall Sunrise Treasury Edition

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It’s not necessarily a bad or depressing ending; rather, it can be taken from multiple angles/perspectives. For Strange, he’s more or less at status quo, whilst the other characters like Yalda and Still Mona are able to appreciate the change in their situation that Strange helped facilitate.

TRADD MOORE: The original [Steve] Ditko and [Stan] Lee STRANGE TALES comics are the Doctor Strange Bible, for sure. Endlessly inventive and charming! I love that stuff. Doctor Strange: Fall Sunrise #1 is a visually arresting first issue that recalls the work of P. Craig Russell and Phillipe Druillet. Doctor Strange: Fall Sunrise #1 cover Will Fall Sunrise somehow connect to this story, or will it be its own totally separate narrative, outside the mainstream Marvel Universe? Time will tell.Issue #3 of Tradd and Heather Moore’s Doctor Strange: Fall Sunrise is yet another rollercoaster ride through an expansive and vibrant hellscape, with plenty of delightfully detailed illustrations to accompany the story on display. In early 2020 it was revealed that The New World would be adapted into a movie by Warner Bros., with Jeremy O. Harris on screenwriting duties. [12] Later that year he wrote and illustrated a short story for the milestone issue #850 of The Amazing Spider-Man. [13] At 2022 San Diego Comic-Con it was announced that Moore's next project will be Doctor Strange: Fall Sunrise, a four-issue miniseries that he will be both writing and illustrating. [14] Bibliography [ edit ] Interior work [ edit ] Image Comics [ edit ] While art isn't a competition, it's easy to call Doctor Strange: Fall Sunrise #1 a highlight for Marvel this year.

MARVEL.COM: Is there freedom in taking on all those roles yourself? Do you find yourself missing collaborative pieces? Every so often, a project like Doctor Strange: Fall Sunrise sneaks out of Marvel or DC (think Catwoman: Lonely Cityif you want to go across the street), and it's a reminder that there can be excellent works with the mark of the creators commissioned by these companies. I love fantasy, and philosophy, and abstraction, and extremes—that’s the attraction of Strange to me.MARVEL.COM: Have you always wanted to work on a Doctor Strange project or was this something that was pitched to you? TRADD MOORE: DOCTOR STRANGE: FALL SUNRISE was my pitch to Marvel, and it was a new desire. I never saw myself working on Doctor Strange until the words left my mouth. TRADD MOORE: You know, I don’t recall discovering Doctor Strange. There are a lot of characters like that: they exist before you, and you’re introduced to them at such an early age that there’s no moment of discovery; they’re just a part of the world. As the preview shows, Doctor Strange is practically liquid, curving as he mediates and attempts to figure out what is going on. Moore’s splashy style gets highly condensed in this issue, which is different from some of his previous projects. The panel structure is as erratic as what we’re witnessing takes place, which helps create a sense of weirdness only a Doctor Strange book could pull off. I can’t say I know exactly what I’m looking at in every panel–be it an eye or some character with their arms up–but that’s the point. From the start, it’s unclear where Doctor Strange is or what is going on, but when he’s doing magic, we know it’s him, and we know we’re rooting for him.

TRADD MOORE: Yes to both! You don’t have to spend as much time on the explanation of an idea; you can just do it, which is creatively freeing. It’s a lot more work, but there are fewer concessions along the way. I mean, there are always concessions if your work is being published—you never make what you thought you would even if it’s only you making it—but it is what it is. Succeed or fail, it’s on you! It feels pure, in a way. You make a thousand creative decisions every day, and with every one you just have to say, “Be honest, be yourself, move on.” I trust that if I’m true to my intuitions, the book will be unique! Stay up on all the Marvel Comics news coming out of Comic-Con International: San Diego with Newsarama's ongoing coverage: Armitage, Hugh (2012-11-08). " 'The Legend of Luther Strode' unveiled". Digital Spy . Retrieved 2020-03-02.Doctor Strange stories should compel us to reach beyond what we know, what we expect, what we dream; they should compel us to look inside ourselves and be honest with what we see. Mike] Mignola and [Roger] Stern’s DOCTOR STRANGE AND DOCTOR DOOM: TRIUMPH AND TORMENT (1989) is a great looking comic—I think about Mignola’s artwork often. Lots of powerful imagery in there! And the story showcases my art because it is my art—there is no separation. Every concept, every figure, every tree, it’s all coming from the same place, and it’s what I want to be drawing. This macabre, transcendent, Catholic iconography was my upbringing; in my youth, it was all normal. I loved it so much! It resonated with me like nothing else, because I believed in it. It’s still beautiful. But [expletive], it’s so profoundly surreal to me now. I don’t say that with disrespect—it’s powerful. It’s moving. It’s harrowing. It hurts me deeply and makes me feel distant. It’s like I can’t recognize the world I’m in, or it’s me who doesn’t belong here.

TRADD MOORE: At their best, there’s broad creative freedom in Doctor Strange stories, and in that freedom there’s a challenge. Magic makes the world wide open; what do you do with that space?Moore graduated from Savannah College of Art and Design in 2010. [1] While still in college he was discovered on DeviantArt by writer Justin Jordan, who pitched him the script for a new comic. [2] Their first collaboration, the six-issue action-horror series The Strange Talent of Luther Strode, was published in 2011 by Image Comics. A sequel, The Legend of Luther Strode was released the following year. [3] In 2017 he illustrated the landmark issue #150 of Venom, [8] and continued to contribute covers for Marvel's Secret Warriors and IDW's Revolutionaries. TRADD MOORE: Whew, the hardest part is putting it down and turning it off. It’s in you all the time. Moore was then noticed by DC Comics, who asked him to illustrate an issue of the Batman anthology Legends of the Dark Knight. [4] In 2013 he also started working for Marvel Comics, drawing several covers for Deadpool. The same year he drew the second issue of writer Aleš Kot's espionage thriller Zero for Image Comics. [5] In 2014 Moore drew the first five issues of All-New Ghost Rider for Marvel's All-New, All-Different relaunch. [6] He also contributed covers for Kot's whole run on Secret Avengers. SDCC 2022: Tradd Moore Sends Stephen Strange to a Distant World in 'Doctor Strange: Fall Sunrise' ". Marvel Entertainment . Retrieved 2022-07-23.